Walter Nini on set, camera in hand
Walter Nini Senior Video Producer

I make the complex clear.

For the exec who's never been on camera, the stakeholder who doesn't know what they want yet, and the team that needs more than their budget should allow. Most corporate videos fail because nobody was brave enough to make a choice. I help with that part.

I've spent the last decade building video programs for companies that didn't have one. Below is what came out of that.

S1

Foundation
Software

Video Producer · Editor · Motion Designer From liability to asset

Foundation is an industry leader in construction accounting software. PE-backed by Thoma Bravo and scaling fast, their marketing team needed video to become a reliable asset. I came in with no studio, no reliable process, and no organizational trust in video as a function and built a full-funnel operation from scratch. That meant convincing leadership to allocate a dedicated studio space, rebuilding the production workflow in Asana, and building trust in the process amongst our Project Managers and stakeholders. Two years later, our assets consistently rank among the company's top lead-generators month over month. Team members who had never touched video before are now some of its biggest contributors.

(1) The Video Spotlight for Foundation's YouTube page. I worked with the C-Suite to tell the company's story quickly and clearly — some of whom had never been on camera before.

(2) Regional streaming ad targeting contractors in Pittsburgh. Bold, declarative, built for the industry. Drove measurable site traffic and performed well in a follow-up email retargeting campaign.

(3) Animated product overview distilling the full Foundation software suite into a clear, fast-moving explainer. The motion graphics were animated directly from the design team's vector files.

(4) Customer story recorded at CONVERGE25 User Conference, shot and edited using a repeatable post-production format I developed: hook cold open, B-cam cutaways, pull quotes, branded lower thirds, animated CTA.

Video went from a liability to an asset.

S2

LaunchPad
Lab

Freelance Producer · Director · Editor Making the technical human

LaunchPad Lab is a digital product development consultancy. They build custom software that changes the way their clients actually do business, with 13 years of work for organizations like Harvard, Whirlpool, and MD Anderson. The CEO reached out after seeing my work and wanted a video to live on the homepage that would give prospective clients an immediate sense of the team before a single sales call. There was already a lot of substance there; the challenge for me was to translate it. How do you take people who think and speak in the precise language of software development and help them connect with a business buyer who just needs to understand why this team is the right partner?

Six interviews + B-Roll in one shoot day. I flew to Chicago, location scouted, hired a two-person crew, and wrote tailored interview questions for each subject. I found the narrative thread in the edit from hours of footage with technical experts who'd never been on camera.

Making the technical human.

S3

Devbridge

Video Producer · Editor · Motion Designer Content across the full picture

Devbridge was a technology partner for forward-thinking Global 2000 companies. They built custom software that delivered measurable results for clients like Grainger, DFIN, and United Airlines. Acquired by Cognizant in 2021 and rebranded as Cognizant Softvision through the transition, I joined as the second video hire. I spent two years producing content across every part of the business. My role went beyond execution: I helped the rest of the organization understand what video could do for them, translating between a precise creative vision and the product managers, team leads, and marketing stakeholders who needed to see the value before they'd buy in. As a team, we created 100 pieces across both brands in less than 2 years: external marketing, client launch videos, culture, and recruiting. Devbridge believed video was an important tool and empowered me to leverage it wherever I could.

(1) This was the direct-to-camera capabilities format we repeatedly used. Clear language, tight editing, graphics that reinforce the message without decorating it. A consistent and scalable format that served us well at the top of the funnel.

(2) A deeper look at how Devbridge works — this one goes beyond introducing the practice and gets into the process. Same direct-to-camera format, more specificity about how we actually deliver for clients.

(3) A promotional recap of our annual all-company Summer Camp in Lithuania. With MDs and PMs in North America, and a large engineering team in Lithuania, getting everyone in the same place wasn't a perk; it was how the company stayed one team. We leaned into a goofy, MTV-inspired aesthetic that reinforced two of the organization's core values: "Have Fun" and "Make Great Things."

(4) Devbridge was named to Crain's Chicago Business Fast 50 — one of the fastest-growing companies in Chicago — for the second straight year. We turned the founders into dolls, put them into an RC car, and told them to hit the gas.

(5) Recruiting video for Cognizant Softvision — profiling the people and the culture behind the work.

(6) Apollo — Devbridge's proprietary product delivery toolkit, built in-house and marketed externally. The challenge was taking the data insights the tools provided and placing them into a real-world context. Shot in a single day, we leaned heavily on animating motion graphics pulled straight from Apollo's interface — every shot composed with the graphics in mind.

Content across the full picture.

Additional Work

.Monks

Motion Designer · Editor Brand launch. Tight timeline.

Internal brand launch hype reel for .Monks — one of the world's largest and most recognized creative production companies. Received motion assets from their design team, animated and edited into a finished piece on a tight deadline. The Formula.Monks sub-brand has since been folded into the broader .Monks identity.

Brand launch on a tight timeline.

I build video programs for companies that don't have one yet. I work with Marketing teams to establish the core principles videos need to communicate, then establish the operational system in which we can best produce them. I've done it three times, each time starting from scratch and leaving something that ran without me.

Most of my work has been for technology companies. It's become my specialty. I understand how technical people think, I've spent years helping them explain what they do to the rest of the world, and I know how to earn their trust quickly.

My technical background is largely in post-production. I still think like an editor when I'm producing — planning the cut before we roll, protecting the story before it hits the timeline. I can execute the post-process myself or manage a team of specialists. Either way, the standards are the same.

I've also taught post-production at Cuyahoga Community College and post-supervised student films that screened at the Cleveland International Film Festival. In my next role, I want to lead and mentor, not just produce.

Based in Cleveland, OH · Open to remote and hybrid engagements.

Walter Nini

Let's talk.

Looking for a senior producer who can build, lead, and deliver? I'd love to hear from you.

Cleveland, OH · Remote & Hybrid